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 The Art of Seduction - Part 2

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Posts : 16
Join date : 2009-04-13
Location : Las Vegas - Lincoln

PostSubject: The Art of Seduction - Part 2   Thu Apr 16, 2009 6:53 pm

The Seductive Process


Everything depends on the target of your seduction. Study your prey
thoroughly, and choose only those who will prove susceptible to your
charms. The right victims are those for whom you can fill a void, who
see in you something exotic. They are often isolated or at least
somewhat unhappy (perhaps because of recent adverse circumstances), or
can easily be made so-for the completely contented person is almost
impossible to seduce. The perfect victim has some natural quality that
attracts you. The strong emotions this quality inspires will help make
your seductive maneuvers seem more natural and dynamic. The perfect
victim allows for the perfect chase.


If you are too direct early on, you risk stirring up a resistance
that will never be lowered. At first there must be nothing of the
seducer in your manner. The seduction should begin at an angle,
indirectly, so that the target only gradually becomes aware of you.
Haunt the periphery of your target's life-approach through a third
party, or seem to cultivate a relatively neutral relationship, moving
gradually from friend to lover. Arrange an occasional "chance"
encounter, as if you and your target were destined to become
acquainted-nothing is more seductive than a sense of destiny. Lull the
target into feeling secure, then strike.


Once people are aware of your presence, and perhaps vaguely
intrigued, you need to stir their interest before it settles on someone
else. What is obvious and striking may attract their attention at
first, but that attention is often short-lived; in the long run,
ambiguity is much more potent. Most of us are much too obvious-instead,
be hard to figure out. Send mixed signals: both tough and tender, both
spiritual and earthy, both innocent and cunning. A mix of qualities
suggests depth, which fascinates even as it confuses. An elusive,
enigmatic aura will make people want to know more, drawing them into
your circle. Create such a power by hinting at something contradictory
within you.


Few are drawn to the person whom others avoid or neglect; people
gather around those who have already attracted interest. We want what
other people want. To draw your victims closer and make them hungry to
possess you, you must create an aura of desirability-of being wanted
and courted by many. It will become a point of vanity for them to be
the preferred object of your attention, to win you away from a crowd of
admirers. Manufacture the illusion of popularity by surrounding
yourself with members of the opposite sex-friends, former lovers,
present suitors. Create triangles that stimulate rivalry and raise your
value. Build a reputation that precedes you: if many have succumbed to
your charms, there must be a reason.


A perfectly satisfied person cannot be seduced. Tension and
disharmony must be instilled in your targets' minds. Stir within them
feelings of discontent, an unhappiness with their circumstances and
with themselves: their life lacks adventure, they have strayed from the
ideals of their youth, they have become boring. The feelings of
inadequacy that you create will give you space to insinuate yourself,
to make them see you as the answer to their problems. Pain and anxiety
are the proper precursors to pleasure. Learn to manufacture the need
that you can fill.


Making your targets feel dissatisfied and in need of your attention
is essential, but if you are too obvious, they will see through you and
grow defensive. There is no known defense, however, against
insinuation-the art of planting ideas in people's minds by dropping
elusive hints that take root days later, even appearing to them as
their own idea. Insinuation is the supreme means of influencing people.
Create a sublanguage-bold statements followed by retraction and
apology, ambiguous comments, banal talk combined with alluring
glances-that enters the target's unconscious to convey your real
meaning. Make everything suggestive.


Most people are locked in their own worlds, making them stubborn and
hard to persuade. The way to lure them out of their shell and set up
your seduction is to enter their spirit. Play by their rules, enjoy
what they enjoy, adapt yourself to their moods. In doing so you will
stroke their deep-rooted narcissism and lower their defenses.
Hypnotized by the mirror image you present, they will open up, becoming
vulnerable to your subtle influence. Soon you can shift the dynamic:
once you have entered their spirit you can make them enter yours, at a
point when it is too late to turn back. Indulge your targets' every
mood and whim, giving them nothing to react against or resist.


Lure the target deep into your seduction by creating the proper
temptation: a glimpse of the pleasures to come. As the serpent tempted
Eve with the promise of forbidden knowledge, you must awaken a desire
in your targets that they cannot control. Find that weakness of theirs,
that fantasy that has yet to be realized, and hint that you can lead
them toward it. It could be wealth, it could be adventure, it could be
forbidden and guilty pleasures; the key is to keep it vague. Dangle the
prize before their eyes, postponing satisfaction, and let their minds
do the rest. The future seems ripe with possibility. Stimulate a
curiosity stronger than the doubts and anxieties that go with it, and
they will follow you.


The moment people feel they know what to expect from you, your spell
on them is broken. More: you have ceded them power. The only way to
lead the seduced along and keep the upper hand is to create suspense, a
calculated surprise. People love a mystery, and this is the key to
luring them farther into your web. Behave in a way that leaves them
wondering, What are you up to? Doing something they do not expect from
you will give them a delightful sense of spontaneity-they will not be
able to foresee what comes next. You are always one step ahead and in
control. Give the victim a thrill with a sudden change of direction.


It is hard to make people listen; they are consumed with their own
thoughts and desires, and have little time for yours. The trick to
making them listen is to say what they want to hear, to fill their ears
with whatever is pleasant to them. This is the essence of seductive
language. Inflame people's emotions with loaded phrases, flatter them,
comfort their insecurities, envelop them in fantasies, sweet words, and
promises, and not only will they listen to you, they will lose their
will to resist you. Keep your language vague, letting them read into it
what they want. Use writing to stir up fantasies and to create an
idealized portrait of yourself.


Lofty words and grand gestures can be suspicious: why are you trying
so hard to please? The details of a seduction-the subtle gestures, the
offhand things you do-are often more charming and revealing. You must
learn to distract your victims with a myriad of pleasant little
rituals-thoughtful gifts tailored just for them, clothes and adornments
designed to please them, gestures that show the time and attention you
are paying them. All of their senses are engaged in the details you
orchestrate. Create spectacles to dazzle their eyes; mesmerized by what
they see, they will not notice what you are really up to. Learn to
suggest the proper feelings and moods through details.


Important things happen when your targets are alone: the slightest
feeling of relief that you are not there, and it is all over.
Familiarity and overexposure will cause this reaction. Remain elusive,
then, so that when you are away, they will yearn to see you again, and
will only associate you with pleasant thoughts. Occupy their minds by
alternating an exciting presence with a cool distance, exuberant
moments followed by calculated absences. Associate yourself with poetic
images and objects, so that when they think of you, they begin to see
you through an idealized halo. The more you figure in their minds, the
more they will envelop you in seductive fantasies. Feed these fantasies
by subtle inconsistencies and changes in your behavior.
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The Art of Seduction - Part 2
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